One fun project I like to have students do from time to time helps them to understand both how a digital camera captures pixels of color to create digital photographs, and also how that technology relates to Pointillism paintings from over 100 years ago. If you look at a Seurat painting close up (go ahead and click on the example, I’ll wait…)
Georges Seurat - The Side Show - 1888
Source: http://www.artchive.com/artchive/S/seurat/paradetl.jpg.html
… Ok, you’re back… (That was pretty cool, wasn’t it?) you will see thousands of little distinct colored dots of paint. That is Pointillism. Painting with dots. Working with the example of the Impressionists who did not completely mix colors on their canvas either, Seurat knew that the viewer would mix the discrete colors optically when viewing from a distance. The same thing happens today with our digital displays. The computer monitor you are viewing this on uses discrete dots of color called “pixels” in order to present an optical illusion of color. Check out the zoomed in version of the above image. (Go ahead, click it to enlarge it too.)

Digital images are actually a combination of three colors, Red, Green and Blue. Just as we mixed paint or crayon colors together in elementary school, we mix dots of red, blue and green light together to achieve millions of possible color combinations. The pixel is the smallest graphical unit that can be recorded or displayed, and each will be a variant of red, green or blue. A digital camera sensor records the pixels, and later we can view them on a computer display device or print them on paper.
To simplify things for my lesson, I like to eliminate color information altogether and simply have students record different values of light & dark pixels. I have done this exercise with computers and also using only paper and pencil. I create a pixel puzzle in which each student will recreate a portion of the final picture. The end result looks something like these two examples. (Click to zoom)

How to make the puzzle
Simply take your source image you want to base your puzzle on into Photoshop. On PS CS2 I use Filter->Pixelate->Mosaic, then adjust the square sizes so they are large enough to create pixels, yet small enough the image is still recognizable. Then I print this pixelated version and cut it into numbered squares. It helps to print a key, with corresponding numbers so you know how to reconstruct the image from the puzzle pieces.
If I’m using the paper & pencil method, I also like to print pages with square outlines in which my students can shade in the different values with a pencil. Have them squint at the puzzle piece to get an accurate reading on how dark or light the individual squares are. Then have them shade in the corresponding squares. If students reproduce their puzzle piece fairly accurately, you can reassemble a compelling and recognizable image of the original.
I am always surprised at how even though students can use a different stroke or shading style, yet the image manages to come together quite nicely.
If I’m using the computer graphics method, I still print the puzzle pieces for them, but instead of a pencil, I let them use Adobe Illustrator to draw the different value squares, then print their work out on a laser printer. Same idea, but less mess and usually less time to complete.
Hope you like this idea… my classes seem to enjoy the activity and they appreciate learning a bit of art history and it’s relevance to modern technology.
Tags: art, Art History, digital camera, drawing, education, Impressionism, Pointillism, technology, value study